{"id":237,"date":"2025-06-02T21:27:33","date_gmt":"2025-06-02T19:27:33","guid":{"rendered":"https:\/\/blog.hansweb.dk\/?p=237"},"modified":"2026-02-02T17:21:41","modified_gmt":"2026-02-02T15:21:41","slug":"carnosus","status":"publish","type":"post","link":"https:\/\/blog.hansweb.dk\/index.php\/2025\/06\/02\/carnosus\/","title":{"rendered":"Carnosus \ud83c\uddf8\ud83c\uddea"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Hailing from \u00d6rebro, Sweden, <strong>Carnosus<\/strong> is one of the most exciting names in the modern extreme metal scene. They have evolved from a &#8220;scrappy&#8221; school-mate project into a technical death metal powerhouse signed to the prestigious <strong>Willowtip Records<\/strong>.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">The Journey: 2011 to Present<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>The Early Years (2011\u20132016):<\/strong> Formed by three school friends (Gotting, Hedner, and Persson), the band spent their early years honing a &#8220;Deathrash&#8221; sound. They released their first demo in 2015 and followed it with the EP <em>The Universal Culmination<\/em> (2016), recorded with the legendary <strong>Tomas Skogsberg<\/strong> (the producer behind the classic Sunlight Studio sound of Entombed and Dismember).<\/li>\n\n\n\n<li><strong>The Breakthrough (2020):<\/strong> After a series of singles and high-profile support slots for bands like <strong>Pestilence<\/strong> and <strong>Cannibal Corpse<\/strong>, they released their debut full-length, <strong><em>Dogma of the Deceased<\/em><\/strong>. It was here they began shedding their thrash roots for a more complex, technical approach.<\/li>\n\n\n\n<li><strong>Independent Ascent (2023):<\/strong> Their sophomore album, <strong><em>Visions of Infinihility<\/em><\/strong>, was a massive leap forward. Despite being an independent release, it gained &#8220;viral&#8221; traction in tech-death circles for its insane musicianship and &#8220;caveman-meets-genius&#8221; drumming.<\/li>\n\n\n\n<li><strong>Current Era (2024\u20132026):<\/strong> Now signed to Willowtip Records, they released <strong><em>Wormtales<\/em><\/strong> in late 2024. As of 2025\/2026, they have transitioned into a global touring act, headlining tours in Canada and appearing at major European festivals like <strong>Gothenburg Extreme Sounds<\/strong>.<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\">Genre &amp; Sound: &#8220;Technical Melodic Death Metal&#8221;<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Carnosus is difficult to pin down to a single tag, as they blend several extreme styles:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>The Core:<\/strong> Primarily <strong>Technical Death Metal<\/strong>, but they avoid the &#8220;soulless&#8221; robotic feel of some tech-death by keeping a strong <strong>Melodic Death Metal<\/strong> foundation (reminiscent of <em>Slaughter of the Soul<\/em>-era At The Gates).<\/li>\n\n\n\n<li><strong>The Twist:<\/strong> Fans often compare them to <strong>The Black Dahlia Murder<\/strong> or <strong>Revocation<\/strong> because of their high-energy &#8220;spider-riffs&#8221; and thrashy momentum.<\/li>\n\n\n\n<li><strong>Vocals:<\/strong> Frontman <strong>Jonatan Karasiak<\/strong> is widely praised for his versatility, jumping between deep gutturals, high-pitched shrieks, and an almost &#8220;dry, snarling&#8221; delivery that makes the lyrics surprisingly intelligible.<\/li>\n\n\n\n<li><strong>&#8220;The Caveman Factor&#8221;:<\/strong> The band often jokes about their own complexity (callinndex.php\/2025\/06\/02\/carnosus\/g their drum patterns &#8220;confused unga bunga&#8221;), balancing high-brow technicality with raw, lizard-brain aggression.<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\">Current Lineup<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Jonatan Karasiak:<\/strong> Vocals<\/li>\n\n\n\n<li><strong>Rickard Persson:<\/strong> Lead Guitar<\/li>\n\n\n\n<li><strong>Marcus Jokela Nystr\u00f6m:<\/strong> Rhythm Guitar<\/li>\n\n\n\n<li><strong>Marcus Strindlund:<\/strong> Bass (utilizes a 7-string bass for massive low-end)<\/li>\n\n\n\n<li><strong>Jacob Hedner:<\/strong> Drums<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">Essential Discography<\/h3>\n\n\n\n<figure class=\"wp-block-table\"><table class=\"has-fixed-layout\"><thead><tr><td><strong>Year<\/strong><\/td><td><strong>Release<\/strong><\/td><td><strong>Type<\/strong><\/td><td><strong>Key Note<\/strong><\/td><\/tr><\/thead><tbody><tr><td>2016<\/td><td><em>The Universal Culmination<\/em><\/td><td>EP<\/td><td>Old school Swedish sound meets modern speed.<\/td><\/tr><tr><td>2020<\/td><td><em>Dogma of the Deceased<\/em><\/td><td>Album<\/td><td>The transition into technical crossover.<\/td><\/tr><tr><td>2023<\/td><td><em>Visions of Infinihility<\/em><\/td><td>Album<\/td><td>The &#8220;cult classic&#8221; that blew up on YouTube\/Reddit.<\/td><\/tr><tr><td>2024<\/td><td><em>Wormtales<\/em><\/td><td>Album<\/td><td>Their most refined and &#8220;disgusting&#8221; display of decay to date.<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Spotify Embed: Visions of Infinihility\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/29Ymmd4hHvFNDCyzo9ZMAK?si=0_qF_bmgT3CmW0A3LGtnxA&amp;utm_source=oembed\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Metal #MetalRelease #Metal2023 | \ud83c\uddf8\ud83c\uddea Sweden \ud83c\uddf8\ud83c\uddea | Band: Carnosus | Album: Visions Of Infinihility | Released: 20230210 | Genre: melodic death metal, technical death metal | Label: Willowtip<\/p>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Spotify Embed: Wormtales\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/07olB5CbNN2ui1GRQakeQo?si=B4iiaAbYSbKTjjxJj8JTkA&amp;utm_source=oembed\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Metal #NewMetalRelease #NewMetal2024 | \ud83c\uddf8\ud83c\uddea Sweden \ud83c\uddf8\ud83c\uddea | Band: Carnosus | Album: Wormtales | Released: 20241018 | Genre: melodic death metal, technical death metal | Label: Willowtip<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Hailing from \u00d6rebro, Sweden, Carnosus is one of the most exciting names in the modern extreme metal scene. They have evolved from a &#8220;scrappy&#8221; school-mate project into a technical death metal powerhouse signed to the prestigious Willowtip Records. The Journey: 2011 to Present Genre &amp; Sound: &#8220;Technical Melodic Death Metal&#8221; Carnosus is difficult to pin [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_themeisle_gutenberg_block_has_review":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[29,5],"tags":[24,8],"class_list":["post-237","post","type-post","status-publish","format-standard","hentry","category-band","category-metalrelease","tag-deathmetalmusic","tag-metalrelease"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/blog.hansweb.dk\/index.php\/wp-json\/wp\/v2\/posts\/237","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.hansweb.dk\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.hansweb.dk\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.hansweb.dk\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.hansweb.dk\/index.php\/wp-json\/wp\/v2\/comments?post=237"}],"version-history":[{"count":8,"href":"https:\/\/blog.hansweb.dk\/index.php\/wp-json\/wp\/v2\/posts\/237\/revisions"}],"predecessor-version":[{"id":476,"href":"https:\/\/blog.hansweb.dk\/index.php\/wp-json\/wp\/v2\/posts\/237\/revisions\/476"}],"wp:attachment":[{"href":"https:\/\/blog.hansweb.dk\/index.php\/wp-json\/wp\/v2\/media?parent=237"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.hansweb.dk\/index.php\/wp-json\/wp\/v2\/categories?post=237"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.hansweb.dk\/index.php\/wp-json\/wp\/v2\/tags?post=237"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}